Letter from Adeline Vaughan Williams to Cordelia Curle

Wed [3rd January 1934]

The White Gates,
Westcott Road,
Dorking.

Belov Boo.

Morris’s Symph came through perfectly - It sounded very distinguished to me - The 1st movement just slightly like R’s ‘Pastoral’ in sound. The 2nd movement very delicate & curious, the last more rhythmic & perhaps the most attractive - I think the end of it all might have been more emotional -
R liked it very much - but says the form is a bit too clear for the emotional content & that Adrian1 didn’t put enough passion into it - & never really got inside it - but certainly it was marvellously clear to follow - good applause from QH2 wh was a good half full- wh was remarkable considering the fog.  Everyone who had a wireless must have listened in with pleasure - Morris is such a good broadcaster - his scoring so clear.3
 All is well with us - R going to London for Folk dance Fest on Saturday -
Morris & Emmie4 are coming here tomorrow or Friday - such a good visit from Mac Lettle[?] & Mary5  -
Mac has done good work in stirring up Ad’s head master!6
Yours

A

Mrs Curle
c/o Charles Tennyson Esq
Farring ford
Freshwater
I of Wight


1. Adrian Boult
2. Queen's Hall
3. R.O. Morris’s Sinfonia in C major (unpublished and not mentioned in The New Grove, but listed in Grove 5).
4. R.O. Morris and Emmeline Morris.
5. Unidentified
6. Adam was Cordelia's son.

Location of original letter:

Shelfmark of original letter: 
MS Mus. 1714/1/8, ff.109-112
Format: 
Letter
Letter No.: 
VWL1179
Original database number: 
340103
Editor's notes: 
z